Professor Yang Siping’s new book “Chinese New Poetry Narrative Studies” has been grandly published: it proposes and systematically explains “Chinese New Poetry Narrative Studies” for the first time

The new book “Chinese New Poetry Narrative Studies” by Professor Yang Siping from Shanghai International Studies University in China was officially published by China· People’s Publishing House in May 2024 and is publicly offering at home and abroad.
This book explores the origin, evolution, means, forms, mechanisms, laws, and literary historical significance of narrative in Chinese new poetry from the dimensions of modernity and “segment”. In addition to an introduction, a deepening conclusion and an appendix, the book has a total of 8 main contents, which sequentially discuss the causes and historical evolution of narrative in Chinese new poetry, as well as the narrative in narrative poetry, lyrical poetry, realistic narrative, presentation narrative, situational narrative and ” segment ” narrative (“visual segment”, “auditory segment” and “synaesthesia segment” narrative). In summary, under the control of the modernity of Chinese new poetry, the narrative of Chinese new poetry has formed a relatively mature narrative system composed of narrative poetry, lyrical poetry, realistic narrative, presentation narrative and situational narrative, ultimately attributed to the ” segment” of new poetry.

 

 

The greatest theoretical contributions of the book are at least two: firstly, it systematically sorts out, clarifies, summarizes, extracts, and deeply describes the knowledge lineage and generation mechanism of Chinese new poetry narrative from the theoretical height of modern poetics. For the first time it proposes and elucidates the grand and significant proposition of “Chinese new poetry narrative” in the form of a thick monograph; secondly, in addition to the well-known “lyrical tradition” of Chinese new poetry, it extracts and summarizes the hidden and subtle “narrative tradition” of Chinese new poetry, and then believes that Chinese new poetry is constantly developing under the influence of these two traditions through “dual wheel drive”.

 

 

Introduction to Yang Siping: Professor of Shanghai International Studies University, permanent member of the World Poets Congress, and Deputy Director of the Chinese Office of the World Poets Congress. He is mainly engaged in cross-cultural and comparative literature research, as well as contemporary Chinese literature research. He has published 16 Chinese literature books including “Chinese New Poetry Narrative Studies”, “Cross cultural Dialogue and Imagination”, “Historical Criticism of Chinese New Poetry Theory”, “Mainstream of Chinese New Poetry in the 20th Century”, and edited “The Complete Collection of Sherlock Holmes Investigation”, “English Translation Series of Contemporary Chinese Poetry”, and compiled various Chinese literature books such as “Rongzhai Essays” and “Night Boat”.

 

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